sebsilas.com
Curriculum vitae

Dr.Seb Silas

Postdoctoral Researcher · Data Scientist · Programmer · Lead Lecturer

Postdoctoral Researcher at the Institute of Systematic Musicology, University of Hamburg. My research investigates how musical information is perceived, remembered, learned, and transmitted, combining music psychology, cognitive science, systematic musicology, and computational modelling. Alongside academic research, I work as a data scientist and musicologist for SoundOut and teach Psychology of Music at BIMM University London.

Current roles

2026–present

Postdoctoral Researcher

Institute of Systematic Musicology, University of Hamburg

Statistical modelling of the development of musical abilities across the teenage years, and development of musical learning tools.

2022–present

Data Scientist

SoundOut / DataZ

Sonic branding research and data products using DevOps/MLOps, R, AWS, and machine learning.

2022–present

Lead Lecturer, Psychology of Music

BIMM University, London

Designed and maintain a new Psychology of Music course.

Previous roles

2023–2025

Project Manager, Data Scientist, Programmer

Diaes4All Project, University of Tübingen

Co-managed the research project and built the technical architecture to track users’ learning of musical items over time.

2020–2025

PhD Researcher

Hochschule für Musik, Theater und Medien Hannover

Project: Playing by Ear: A Computational Approach.

2022

Research Scientist

Goldsmiths, University of London

Analysed large datasets and authored academic manuscripts.

2017–2023

Company Director, Tutor of Saxophone and Piano

Hop Music, London

Managed company operations and music tuition.

Freelance programming & data science 2020–present

2023

Programmer

Max Planck Institute

Created a Rhythm Tapping Test and adapted a singing test for children.

2023

Data Scientist, Programmer

ABCD Study

Developed gamified test infrastructure for a large-scale brain development study.

2021

Programmer

AIRS Singing Project, University of Prince Edward Island

Built test infrastructure for singing research.

2021

Programmer

Western Sydney University

Prepared tutorials for psychological test implementation.

Education

2020–2025

PhD, Systematic Musicology

Hochschule für Musik, Theater und Medien Hannover

Thesis: Playing by Ear: A Computational Approach (2026).

2019–2020

MSc Computational Cognitive Neuroscience

Goldsmiths, University of London

First class honours. Thesis: Predicting production from dirty data: Psychometric and Big Data approaches to melodic production.

2016–2019

BSc Psychology with Cognitive Neuroscience

Goldsmiths, University of London

First class honours. Thesis: Does musical training improve general working memory? A causal modelling approach.

2011–2014

BA Music (Jazz Saxophone Performance)

Middlesex University, London

Upper second-class honours.

Awards & scholarships

2024

Douglas C. West Advertising Creative Article Award

Advertising Research Foundation

For the sonic branding paper “Musical Manipulation of Visual Scenes in Video, Film and TV Advertisements: A Large-Scale Investigation into the Implicit Effects of Sonic Branding”.

2022–2024

PhD Scholarship

Studienstiftung des deutschen Volkes

€71,200 doctoral scholarship for highly qualified researchers.

2020–2021

PhD Scholarship

DAAD

€14,935 one-year doctoral scholarship for international research exchange.

Publications

Journal articles & thesis
  • 2026Silas, S., Robinson, M., Baker, D., Harrison, P. M. C., Jacoby, N., & Müllensiefen, D. (2026). The recall and recognition of sonic logos. Psychology of Aesthetics, Creativity, and the Arts. doi ↗
  • 2026Silas, S., Baker, D., Sachet, A., & Müllensiefen, D. (2026). An unsupervised feature selection approach for finding diverse emotional-semantic representations in sonic branding music. Journal of New Music Research. doi ↗
  • 2026Silas, S. (2026). Playing by ear: A computational approach [Doctoral thesis]. University of Music, Drama and Media Hanover.
  • 2024Silas, S., Baker, D., & Müllensiefen, D. (2024). Musical manipulation of visual scenes in video, film and TV advertisements: A large-scale investigation into the implicit effects of sonic branding. Journal of Advertising Research. doi ↗
  • 2023Silas, S., Müllensiefen, D., & Kopiez, R. (2023). Singing Ability Assessment: Development and validation of a singing test based on item response theory and a general open-source software environment for singing data. Behavior Research Methods. doi ↗
  • 2023Silas, S., & Müllensiefen, D. (2023). Learning and recalling melodies: A computational investigation using the melodic recall paradigm. Music Perception. doi ↗
  • 2022Silas, S., Müllensiefen, D., Gelding, R., Frieler, K., & Harrison, P. M. C. (2022). The associations between music training, musical working memory, and visuospatial working memory: An opportunity for causal modeling. Music Perception, 39(4), 401–420. doi ↗
  • 2022Tsigeman, E., Silas, S., Frieler, K., et al. (2022). The Jack and Jill adaptive working memory task: Construction, calibration and validation. PLOS ONE, 17(1), e0262200. doi ↗
  • 2021Gelding, R. W., Harrison, P. M. C., Silas, S., Johnson, B. W., Thompson, W. F., & Müllensiefen, D. (2021). An efficient and adaptive test of auditory mental imagery. Psychological Research, 85(3), 1201–1220. doi ↗
Under review & in preparation
  • —Silas, S., Frieler, K., & Müllensiefen, D. Development of a melodic similarity algorithm for short recalled melodies. Under review
  • —Wycisk, Y., Sander, K., Silas, S., et al. Immersed in all senses? Psychophysiological effects of 3D audio music. In preparation

Conference talks

  • 2024Silas, S., Robinson, M., Baker, D., Müllensiefen, D., Harrison, P. M. C., & Jacoby, N. The recall-recognition paradox? A multi-paradigm approach to exploring the memorability of sonic logos. 12th Triennial Conference of ESCOM, York, UK. doi ↗
  • 2024Silas, S., Müllensiefen, D., & Kopiez, R. Adaptive training in singing and playing by ear: Enhancing long-term retention through computational item selection. 36th ISME World Conference, Helsinki.
  • 2024Silas, S., Müllensiefen, D., & Kopiez, R. The Musical DASH Model: A computational approach to learning new melodic material. 41st Annual Conference of the German Society for Music Psychology, Munich.
  • 2023Silas, S. Adaptive Training: A system for longitudinal research on music learning. LongGold Workshop, Hanover. watch ↗
  • 2023Silas, S. Make it fun! Gamifying music listening tests. LongGold Workshop, Hanover. watch ↗
  • 2023Silas, S., & Frieler, K. The musicassessr ecosystem: Record, measure, score and present feedback about musical production behaviour in real-time, supported by psychometric models. Deutsche Gesellschaft für Musikpsychologie, Hanover.
  • 2023Silas, S., Müllensiefen, D., & Kopiez, R. Utilising a new generation of musical production tests to understand musical learning: Singing ability assessment, melodic recall and playing by ear. Deutsche Gesellschaft für Musikpsychologie, Hanover.
  • 2022Silas, S., Baker, D., & Müllensiefen, D. Changing the emotional-semantic perception of visual scenes with music: A large-scale investigation into the effects of sonic branding. Deutsche Gesellschaft für Musikpsychologie, Würzburg.
  • 2021Silas, S. Construction and validation of the Melody Singing Task using explanatory item response theory modelling. ESCOM, online. watch ↗
  • 2021Silas, S., Kopiez, R., & Müllensiefen, D. What makes playing by ear difficult? SEMPRE Conference.
  • 2019Silas, S., Müllensiefen, D., Gelding, R., Harrison, P. M. C., & Frieler, K. Does musical training improve general working memory? A causal modelling approach to the associations between general working memory, musical working memory and musical training. Deutsche Gesellschaft für Musikpsychologie, Eichstätt.